2,643 Royalty-Free Audio Tracks for "Sine Wave Tones"

Sine boom made by unknown recordings/filterings/generatings in audacity. From a few years ago.

I created this clip for use in larger works and as an exploration of how sound works in relation to filters and other processing. Feel free to use this somehow. Thanks!.

A series of three octave tones dropping in pitch, with the highest one fading in to create a dropping effect ending at a higher frequency. Just my attempt to recreate the dropping bells effect. Start the sound over from the beginning after finishing.

Diminished seventh chord resolution: both diminished fifths tend to resolve inward, doubling the third of the tonic chord.

The intro to L'Isle Joyeuse, by Claude Debussy. Created by Hyacinth (talk) 06:38, 19 January 2012 (UTC) using Sibelius 5.

Tone row from "Tot" ["Lifeless"], Drei Lieder, Op. 48.

A powerup for acquiring a collectable in an old-school 8-bit game. Generated with a sine wave.

Bew bew i dont know what to say more bew bew bew bew bew bew bew bew.

Shawtooth wave tone at 440hz.

Some real radio interference recorded by me about 7 years ago. It's from an old phone areal.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (g♯7 to A).

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (d7 to E-flat).

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving. (fo7 to G-flat)

Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Diminished seventh chord to dominant cadence (bo-e7-A7-D).

Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Harmonic sinusoidal output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 7.

I was playing around with spear (sinusoidal partial editing and resynthesis) after a long absence (still available for free download)and came up with some drones for the upcoming pincushioned album. "enjoy".

Created from my home-built wavetable synthesizer, and recorded in audacity.

A low bass sort of sound effect thing.

This is one of many build ups from my personal effects library. I used a time-stretch,and added a heavy eq over it for an added bass effect. It builds from in fade to original volume with re-verb. Enjoy. .

Future bass supersaws, created with xfer serum in reaper. Decided not to use this chord progression for my track, but perhaps it can be of use to someone!. License: cc0.

This is a looper i made in cubase with a vst instrument called rubber duck. Added a reverb and delay. It runs over several breaks at 112bpm. Hope you enjoy :).

*Third-tone/1 step in 18 equal temperament on C. Equal-tempered: 21/18:1 = 66.67 cents. MIDI pitch bend: 43,53

Pierre Boulez's Second Piano Sonata series. Created by Hyacinth (talk) 01:57, 19 October 2010 using Sibelius 5.

The tone row from the first movement of Alban Berg's Lyric Suite, according to Wolfgang Stroh.

Berg's Lulu Schoolboy tone row on C.

Berg's basic tone row from Lulu on C.

Tone row from the first movement of Alban Berg's Lyric Suite, according to George Perle.

Berg's Dr. Schön tone row from Lulu on C.

Berg's Lyric Suite Mov. VI tone row 2-P.

Berg's Lyric Suite Mov. VI tone row 1-P

Leading-tone diminished seventh chord as dominant in Mozart's Don Giovanni, K. 527, Act I, Scene XIII, mm.116-117.

Nono- Il Canto sospeso all-interval series, as Midi

Principal forms of Webern's tone row from Variations for piano, op. 27, movement 2.

Berg's Alwa tone row from Lulu on C.

The data contained in this file should represent a half-period sine wave. But because of the bug(s) in the header of wave file, it gets distorted (i. E. If you found the bug and fixed it in binary, you'd get perfect half-sine wave).

The data contained in this file should represent a full period sine wave. But because of the bug(s) in the header of wave file, it gets distorted (i. E. If you found the bug and fixed it in binary, you'd get perfect sine wave).

A ligeti inspired spear experiment for the upcoming pincushioned album.

A simple basic saw and sine wave that, when looped, make a both hard and soft (bassy) sounding c note to load into your sampler.

Chaotic resonances that soon falls into more and more chaotic behavior. Quite a smooth chaotic noise sound. Made from 2 sine oscillator frequency modulating each other and some variable controls. Programmed in chuck programming language.

Phased signal. N''.

Sub37_18db filter + reso on different drive settingsroughly normalized.

A reel-to-reel tapecorder with the record switch on. Time has not been kind to the device, and now a loud sine wave pulses through the speakers when recording with it.

A nice big zippy zap.

1k generated sine wave, 120ms long. Typical nagra beep that you find between takes on a blooper reel. They used to place a couple of these between takes recorded to analog tape in order to differentiate between multiple takes when fast forwarding.

This is one of many build ups from my personal effects library. I used a time-stretch,and added a heavy eq over it for an added bass effect. It builds from in fade to original volume with re-verb. Enjoy. .

500 hz tone or 500 hz sine wav sound effect. Ear piercing.

Extract from Chalres-Valentin Alkan's 'Esquisses', no. 45, published 1861 in Paris.